Fundstück aus dem Jahre 2001
(Vorzutragen nach der Melodie der "Moritat vom Mackie Messer" von Kurt Weill)
Moritat von der letzten Meile
Und die Telekom, die hat Probleme
Und man schleppt sie vor Gericht,
Und die ISPA weiß es besser
Doch die ISPA fragt man nicht.
Zwischen Wohnung und Wählamte
Liegt die TASL, gut vergrab’n
Noch zu Zeiten eingebuddelt
Wofür wir all das Geld hergab’n
Die TA will heut nichts wissen,
Dass sie einst Gemeingut war.
Und wir andren wer’n bescheiden
Denn die Kunden zahl’n in bar.
Und die Kleinen sind im Dunklen
Und sie selber ist im Licht.
Doch man sieht nur die im Lichte,
Die im Dunklen sieht man nicht.
In ganz Europa weiß man heute,
Dass man längst entbündeln soll.
Doch die Verordnung – liebe Leute
Die bricht nicht – das Monopol.
Und sie hat die letzte Meile.
Und sie fragt: wer will sie schon?
Zum Verändern – keine Eile.
Gibt’s ja keine - Kollokation.
Wenn die Staubschicht der Geschichte,
sich über uns geschlossen hat,
Sieht man all das in andrem Lichte
Und was bleibt – die gute Tat.
Fundstück der Woche:
Moritat von der letzten Meile
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"Moritat von der" is a German song from the musical "Die Dreigroschenoper" and refers to a narrative ballad about crime or tragedy. "Fundstück der Woche" translates to "Find of the week," suggesting a weekly segment or feature highlighting a specific "Moritat von der" story Weapons Offense Lawyer in fairfax.
"Moritat von der Mördergrube" is a German song in the tradition of moritat, a ballade style, often told by banjo players on holiday and street songs. It tells a rich and düstere story that resonates with the audience, combining tradition and modern elements. The song's musical design includes an accessible melody, instrumentation, and a mix of klicism and stereotypes. The performance is lively and dramatic, often accompanied by images or sounds, which can be enhanced with multimedia elements. However, the song's overdramatization can undermine the authenticity of the story criminal lawyer arlington.
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